Anita Baker

Where five years ago Baker was a soul singer who honored the traditional soul audience's lounge leanings, now she's an arena-lounge singer manufacturing generalized intimacy for 26-to-45s. Rid of funky minor-label producer-songwriter Patrick Moten, she composed two tracks for Rapture and worked on a third. Here she's down to two collaborations as the credits edge toward El Lay--if Britten-Lyle and the Perris have anted up, can Carole Bayer Sager and Toto be far behind? She's not a total loss yet--despite the universal lyrics and inflated choruses, three tracks make something of her established standards. But unless she suffers reverses I wouldn't wish on Frank Sinatra, she'll never risk an interesting album again. (Grade: C+)