As the leaders of their orchestras, conductors are responsible for coordinating the efforts of one hundred or more performers into a cohesive and expressive whole. These men and women go well beyond marking tempos and reminding musicians when to enter -- they have a pervasive influence on the subtleties of a given performance. Phrasing, stylistic considerations, ensemble blending, timbre, and emotional nuance are just some of the concepts conductors flesh out during the hours of rehearsal outside the public's view. Moreover, the charisma required to lead an orchestra full of prima donna musicians is immense. The conductor can make or break the success of an orchestra.
|
|
|
1.
Travelin' Light
|
Andre Previn
|
|
|
|
|
2.
Air from Water Music Suite No.1
|
Riccardo Muti
|
|
|
|
|
3.
Le nozze di Figaro, K. 492,Overture
|
Sir Colin Davis
|
|
|
|
|
4.
Adagio for Strings
|
Leonard Bernstein
|
|
|
|
|
5.
Adagio for Strings
|
Leonard Bernstein
|
|
|
|
|
6.
Overture (Orchestra)
|
Lorin Maazel
|
|
|
|
|
7.
Symphony No. 41 in C major K551, 'Jupiter': I. Allegro vivace
|
Jukka-Pekka Saraste
|
|
|
|
|
8.
Concerto for Clarinet and Strings: Slowly and Expressively
|
Gerard Schwarz
|
|
|
|
|
9.
Rhapsody in Blue
|
Wayne Marshall (classical)
|
|
|
|
|
10.
Just Dropped In (To See What Condition My Condition Was In)
|
Andre Previn
|
|
|
|
|
11.
Strike Up The Band
|
Arthur Fiedler
|
|
|
|
|
12.
Fanfare for the Common Man
|
Leonard Slatkin
|
|
|
|
|
13.
Eine kleine Nachtmusik (A Little Night Music),Allegro
|
Erich Leinsdorf
|
|
|
|
|
14.
Carmina Burana (1997 Digital Remaster): O Fortuna (1997 Digital Remaster)
|
Riccardo Muti
|
|
|
|
|
15.
Balcony Scene - Tonight
|
Leonard Bernstein
|
|
|
|
|
16.
The Inn
|
Michael Riesman
|
|
|
|
|
17.
The Crypt
|
Michael Riesman
|
|
|
|
|
18.
Carmen: Entr'acte, Act 3 (Intermezzo)
|
Seiji Ozawa
|
|
|
|
|
19.
Violin Concerto (excerpt)
|
Gidon Kremer
|
|
|
|
|
20.
Dracula
|
Michael Riesman
|
|
|
|
|
21.
The Storm
|
Michael Riesman
|
|
|
|
|
22.
O Fortuna
|
Seiji Ozawa
|
|
|
|
|
23.
Carriage Without A Driver
|
Michael Riesman
|
|
|
|
|
24.
Die Walküre: Ride of the Valkyries (concert version)
|
Mariss Jansons
|
|
|
|
|
25.
The Drawing Room
|
Michael Riesman
|
|
|
|
|
26.
"Excellent, Mr. Renfield"
|
Michael Riesman
|
|
|
|
|
27.
The Three Consorts Of Dracula
|
Michael Riesman
|
|
|
|
|
28.
Journey To The Inn
|
Michael Riesman
|
|
|
|
|
29.
Rossini , William Tell Overture
|
Arthur Fiedler
|
|
|
|
|
30.
Lucy's Bitten
|
Michael Riesman
|
|
|
|
|
31.
Fantasia on Greensleeves
|
Leonard Bernstein
|
|
|
|
|
32.
Suite bergamasque No. 3 \ Clair de lune
|
Arthur Fiedler
|
|
|
|
|
33.
The Castle
|
Michael Riesman
|
|
|
|
|
34.
In The Theatre
|
Michael Riesman
|
|
|
|
|
35.
Seward Sanatorium
|
Michael Riesman
|
|
|
|
|
36.
Maria
|
Leonard Bernstein
|
|
|
|
|
37.
Somewhere
|
Leonard Bernstein
|
|
|
|
|
38.
How Are Things In Glocca Morra?
|
Andre Previn
|
|
|
|
|
39.
VI. Waltz 2 from Jazz Suite No. 2
|
Mariss Jansons
|
|
|
|
|
40.
Horrible Tragedy
|
Michael Riesman
|
|
|
|
|
41.
London Fog
|
Michael Riesman
|
|
|
|
|
42.
In His Cell
|
Michael Riesman
|
|
|
|
|
43.
The Ecstasy of Gold from The Good, The Bad and The Ugly
|
Leonard Bernstein
|
|
|
|
|
44.
The Planets, Op. 32: II. Venus, the Bringer of Peace
|
Sir Colin Davis
|
|
|
|
|
45.
Londonderry Air
|
Arthur Fiedler
|
|
|
|
|
46.
Mozart : Symphony No.40 in G minor K550 : II Andante
|
Nikolaus Harnoncourt
|
|
|
|
|
47.
Pictures at an Exhibition: The Hut on Fowls' Legs (Baba Yaga)
|
Mariss Jansons
|
|
|
|
|
48.
When The Dream Comes
|
Michael Riesman
|
|
|
|
|
49.
Dracula Enters
|
Michael Riesman
|
|
|
|
|
50.
Romeo and Juliet/Romeo und Julia/Roméo et Juliette (Scenes from the Ballet) - Romeo and Juliet/Romeo und Julia/Roméo et Juliette (Scenes from the Ballet)/Dance of the Knights/Tanz der Ritter/Danse des chevaliers (2004 Remastered)
|
Michael Tilson Thomas
|
|
Leonard Bernstein
Leonard Bernstein's music
ranges from the richly
chromatic modern to the
accessible and popular. He
exuded passion as compo...
Michael Tilson Thomas
Thomas' eclectic,
Renaissiance personality is
expressed throught the
diversity of music he
conducts.