Fats Domino

If rock is a music of voices and guitars, its New Orleans variant is a music of pianos and drums. It rocks, sure, but people love it for the way it rolls. Its friendliest exponent is charter Rock and Roll Hall of Famer Antoine Domino, who scored more pop hits in the '50s than anyone except Elvis, Pat Boone, and Perry Como. Every one shows up on the solidly enjoyable "They Call Me the Fat Man . . . ." box. But the best are concentrated on this cheap little party record--a surprisingly intense one, given the sweet lassitude of Fats's drawl. Break your own heart--put on "Walking to New Orleans." (Grade - )